2011-03-31

Mischief

(As an administrative aside, my life has become both very busy and host to something like ten dance events in the last two weeks. So I have many backlogged things to write about, and I will be making those posts when I have the scraps of time and energy to write them. If there's anything you think might be on my mind, and you'd especially like to see a post about it, please let me know.

On a semi-related note, should I start keeping a calendar of events I did or am going to?)

I have mentioned before the existence of a mischief maker at Tech Squares. He's a charming sort of boy, who can get away with being a smartass because he absolutely knows what he's doing, where he's supposed to be, and generally where everyone ELSE is supposed to be as well.

And so he leads the rest of the club into mischief, whenever he can find people willing to indulge or join. Recently, this manifested in a square containing him and me and six others of our ilk, all club members during a class review tip1. Accidental on our part --we were what was leftover after everyone else formed squares-- but not altogether a bad situation, especially as the evil smirks began.

"Snap switch?" the mischief maker innocently suggested, and it was quickly determined that everyone was amenable to the idea. After all, there were no newbies to confuse, and the moves called were likely to still be simple enough that everyone would easily recover from any missteps.

Snap-switching, in Modern Western Square Dance, refers to meeting another dancer's eyes, raising hands, and snapping your fingers. The effect is that the two of you have now switched places, and you complete the move, and the rest of the dance, from your new roles. Most often I've seen it happen between one couple, or between one couple and their facing couple. This was the first time I'd ever gotten to dance in a square where everyone was receptive to snapping.

It took very little time at all for our square to reach the ridiculous, as snaps started occurring at every possible point. The pinnacle was when the caller began calling a series of pass-throughs2 and our entire square responded by snapping through each one --rather than the tedious motion of walking all the way across the square, we would smirk, snap, and simply turn around.

This prompted me to start thinking of the situation in terms of a game, somewhat of a competition between the caller and the dancers. You may technically snap-switch for any move, so long as you end in the correct place. But for many moves, the only movement required if you snap-switch is to change your facing direction --pass throughs and trades especially.

So what happens if you set up a square in which each dancer's goal is to move from their spot as little as possible, as started to happen with us? It would require a firm working knowledge of the calls, and of where one was supposed to wind up, but it could lead to an interesting sort of chaos. I suspect it's less workable as you move from Mainstream into Plus, but it could be a cute game for an experienced square that was feeling more than a little lazy.

At the very least, if I can add some polish, it might be worthy of inclusion with other interesting Square Games (very few of which I've gotten to do yet!)

1: Tech Squares is divided into "class members", people who are currently learning the calls from Mainstream and Plus, and "club members", people who have already learned those calls. During class season, the night is usually divided into alternating club and class tips (dances), the latter of which alternate between "review" and "teaching". Review tips are nonstop dancing, teaching tips alternate between dancing and learning new moves.

2: When two people facing each other simply walk forward, passing right shoulders, to end in the other person's place, still facing their initial direction.


(As a complete aside, I must also offer my amusement at the idea of snap-switching ones way through a right and left grand. Rather than walk halfway around the set, one simply snap switches with each subsequent person, changing yours and theirs direction, and merely turning around rather than move. Sheer elegance in its simplicity.)

1 comment:

Pi-Nerd said...

The call I am most hesitant to snap on is pass the ocean. It starts with a pass through, but most people don't realize how to switch. There are other calls that fit this description, but I haven't snapped on those as much as I used to snap on pass the ocean.