Showing posts with label silly. Show all posts
Showing posts with label silly. Show all posts

2015-05-04

Tookus Long Enough

Tookus Long Enough is a 32 bar reel for 3 couples danced in a 4 couple set. It was mostly written by Laura dC, with contributions from the rest of our candidate class, Beth, and Robert.

(Note: "Tookus" in the title should be pronounced as the hebrew word "tuchas")

Bars 1-8: 1s cross down into second place, 2s stepping up immediately on bars 1 and 2. 2s, 1s, and 3s dance a six bar chase clockwise once around the set. On bar 5, 1s meld into the center of the set and turn once around by the right, giving a "twiddle" to end in back to back in the center of the set facing own sides, ready for double triangles.

Bars 9-16: 1s, with 2s and 3s, dance inverting double triangles. (set for 2, 1s move to the outside of the set facing in while 2s and 3s move to the inside of the set facing out, all pulling right shoulder back, set for 2, all move in or out to end with 2s and 3s on the sidelines as normal, and the 1s in the center facing out their own side.

Bars 17-24: 1s dance solo figures of eight, first man up with the 2s, first woman down with the 3s, passing the person on their right by the right shoulder to begin. 1s end facing their first corner.

Bars 25-32: 1s dance set to corners and partners, ending by pulling right shoulder back and doing a petronella turn into second place on their own sides. All dancers may clap as appropriate at the start of bar seven.

This dance is dedicated to Andy Taylor-Blenis. It is an actually good dance, we are sorry for making it into an extended butt pun (not actually sorry).


End Notes: Andy has a talent for helping us stretch out our whole bodies and for emphasizing where our good posture should come from --including that we should, at all times, keep our tuchas tucked underneath us (especially for things like hello-goodbyeset to corners and partner.

Mack Gregor's Reel

Mack Gregor's Reel is a 32 bar jig for 4 couples. It was mostly written by me and Laura dC, with help from the rest of our candidate class.

Bars 1-8: 1s set and cast off one place, 2s stepping up on bars 3 and 4. 1s and 2s turn partner by the RH one and a half times in four bars. 2s end that turn in the center, both hands joined, 1s use that turn to move down the set to third place, ending back to back in the center facing opposite sides, 3s stepping up on bars 7 and 8.

Bars 9-16: 1s, with 3s and 4s, dance Double Triangles from a balance-in-line formation WHILST the 2s dance the "Mack Truck" figure, slipping down the middle of the set and back up, between the backs of the dancing 1s. 1s end facing first corners, 2s end on opposite sidelines.

Bars 17-24: 1s, with 3s and 4s, set to and turn their first corner. While turning, the second corners perform the "Smart car progression" and slip back to back diagonally across the set to end in each other's place. 1s set to and turn the person in their second corner position. While turning, the first corners perform the "Smart car progression". All end on opposite sidelines, in the order 2-3-1-4.

Bars 25-32: 2s, followed by 3s, 1s, 4s, cross up and dance down the outside of the set, 3s 1s and 4s dancing up the set to begin. End on own sidelines, in the order 4-1-3-2. The dance concludes with the wheels on the truck going round and round; 4s with 1s and 3s with 2s dancing right hands across.

This dance is dedicated to Gregor Trinkus-Randall.


End Notes: Gregor has a tendency to tell his students to keep their backs close together when back to back in the center, lest a "mack truck" be able to be driven between them. As our candidate class progressed, we were rewarded with smaller and smaller vehicles, including pick-up trucks, the aforementioned smart cars, and eventually matchbox.

2011-03-29

Choreographing the Vericon Masquerade

Many science-fiction conventions have an event called the "Masquerade". They're basically huge costume contests, where everyone from bare novices to master-class costumers get on stage and show off the pretties that they've been working on for the last year (or more!).

Vericon1, however, skips all the judging nonsense and so their masquerade is closer to the traditional roots of the word, a ball in which attendants are encouraged (though not required) to show up in costume or cosplay. This leads to wonderful and silly situations as four decades --or more!-- of pop-culture collide.

(As an aside, have you ever wondered how EvilSpock would react to a cute girl grinding up against him to the dulcet strains of "She Blinded Me With Science"? It's pretty entertaining, let me tell you! I only wish I had my camera out to catch his perfectly quirked eyebrow as he declared: "Science.")

So because it's a ball, it is expected that there will be dancing. And because Vericon is staffed, run, and attended by complete geeks...well...let's just say that the music can be considered eclectic at best, and the dances performed to match.

Oh sure, there's definitely a lot of happy flailing and bouncing around. Just because the songs are geekier than your average club fare doesn't mean you have to change the dancing around any --just find a strong beat and rock out. But between the flailing, maybe every third or fourth song, some spectacular geek anthem comes on, and the dance floor transfers from an incohesive throng to an impromptu performance space. Different people step up, as costumes or attitudes necessitate, and instead of just dancing, they *perform*.

One of the clearest examples is the annual production of "The Devil Went Down to Georgia". The room finds itself a circle, leaving plenty of space for Johnny and his foe to face off, miming fiddles as though their life depended on it. And at the point of the song where the demons of hell get to jump in and join their master...hoo boy, you get quite the cast of characters as anyone even *slightly* evil takes their cue.

Other songs get the star treatment too. "Walk Through the Fire" varies by year, but when it's good, it's good, with people of all costume stepping up to fill the roles of the various scoobies et al. (I got to be Spike this year!) And usually late in the evening, the DJs cue up "The Homecoming Queen's Got a Gun", which lends itself to a spectacular amount of running around screaming...at least until you get shot (at which point you get to throw yourself to the ground dramatically, which is arguably even more fun.)

The impromptu choreography is wonderful, and best of all, it lends itself to sharing, as ideas ripple across the dance floor. One person comes up with something clever, which is quickly stolen by another, or another. Some songs will lead to multiple performances, scattered across the floor --what's "Skullcrusher Mountain" with only one evil scientist after all?

My crowning victory this year was for another JoCo song. When "Re: Your Brains" came on, it took me only a few lines to realize that the logical way to "dance" was with arms outstretched, moaning the lyrics and shuffling around like a true zombie. The idea caught on like wildfire, and by the second stanza, the floor was almost entirely populated by zombies --one lone human ran around and around, giving us something to grab for.

It was wonderfully reaffirming, being in this mass of groaning humans. Sure, it was ridiculous, and in all honesty, we probably looked thoroughly uncool. But we're geeks. Most of the people in that room would probably pick fun over cool any day of the week. And being in a room of creative, kinesthetic, unashamedly silly people leads to some excellent -albeit uncool- geek choreography.

Which is probably why we could shuffle like pros during "Re: Your Brains", but not a zombie among us knew more than the fewest poses for the next undead anthem played: "Thriller". It's a great song and all, but for us?

We'd rather write our own choreographies.

1: Vericon is Harvard University's annual science-fiction convention. It seems to range from maybe two to five hundred attendees (yes, I totally guessed that number), and is currently held every year in March. I do recommend it! If nothing else, they have a fantastic dance.